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Antes are used in stud and draw, but not in hold 'em or omaha. | Gwin, inc. announced a blockbuster book deal for its chairman & ceo, wayne allyn root. root's new book, "the zen of gambling, " will be released on sept. 23 by penguin group usa ; , the second largest trade publisher in the world through its jeremy p. tarcher imprint. penguin is mounting a major promotional campaign around the book's release. the timing is fortuitous as las vegas and gambling are hot topics! freetournament is topping the charts. A god descends into his polygonal creation a few years ago, right before my eyes, a man with matted hair created an artificial world, a simulation of swaying fernlike arches rising off of an arabesque floor of maroon tiles and a tall red chimney going nowhere in particular. this world had no material form. it was a nether world that only two hours earlier had been a daydream in the man's imagination. now it was a daydream circulating on a pair of silicon graphics computers. the man donned magical goggles and climbed into his simulacra. i climbed in after him. as far as i know, this descent into a man's daydream in the summer of 1989 was the first time a human created an instant fantasy and let others crawl in to share it. the man was jaron lanier, a round guy with a mop of rastafarian dreadlocks and a funny giggle, who always reminds me of big bird. he was nonchalant about entering and exiting a dreamland and talked about the travel like someone who had been exploring "the other side" for years. the walls of jaron's company's office displayed fossils of past experimental magic goggles and gloves. the usual computer hardware and software paraphernalia littered the rest of the lab: soldering irons, floppy disks, soda cans, and in this case, ripped body suits woven with wires and bejeweled with connector plugs. jaron's hi-tech method of generating visitable worlds had been pioneered years earlier by institutional researchers including nasa. scores of people had already entered into disembodied imaginary worlds. research worlds. but jaron devised a low-rent system that worked even better than the university setups, and he built wildly unscientific "crazy worlds" on the fly. and jaron coined a catchy name for the result: "virtual reality." to participate in a virtual reality, a visitor suits up into a uniform that is wired to monitor major body movements. the costume includes a face mask that can signal the movement of the head. inside the mask are two tiny color video monitors which deliver the participant a vision of stereoscopic realism. from behind the mask it appears to the visitor that he inhabits a 3d virtual reality and poker money. 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Beginning in late november, drama teacher jeremy richards began preparing middle schoolers for a spring production of a midsummer night's dream. "students have to learn many things that are particular to acting shakespeare, " jeremy explains. in order to familiarize students with these skills jeremy offered afterschool workshops twice a week for aspiring actors to learn the basics and feel confident about auditioning for a role in the play. about 10 to 14 sixth, seventh, and eighth graders attended the workshops, and more than 30 auditioned for the production. the workshops emphasized scansion skills, textual analysis, and breathing and projection. "shakespeare's language is a lot like singing, so actors need to know how to breathe and project properly, " says jeremy. scanning the line to find out if it is regular iambic pentameter or irregular, as well as learning how to approach the irregular lines, is another important skill. discerning operative words and using shakespeare's spelling in the first folio as a clue to intent are additional ways to organize the play in the minds of the actors and the audience. "performing really gives kids incentive to grapple with the text.
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44 references abbott, m., williams, m., & volberg, r. 1999 ; . seven years on: a follow-up study of frequent and problem gamblers living in the community. wellington, new zealand: department of internal affairs. addictions foundation of manitoba 2004 ; . afm 2003-2004 annual report. retrieved august 12, 2006, from : afm.mb about%20afm anrpt0304 addictions foundation of manitoba. 2005 ; . afm 2004-2005 annual report. retrieved august 12, 2006, from : afm.mb about%20afm afmanrp04-05 alberta alcohol and drug abuse commission aadac ; . 2001 ; . problem gambling: information and services summary. edmonton, alberta: author. ajdacic-gross, v., killias, m., hepp, u., gadola, e., bopp, m., lauber, c., et al. 2006 ; . changing times: a longitudinal analysis of international firearm suicide data. american journal of public health, 96 10 ; , 1752-1755. american gaming association. 2006 ; . industry information: states with slots. retrieved august 30, 2006, from : americangaming industry factsheets general info detail.cfv?id 32 atkin, c.k. 1995 ; . survey and experimental research on effects of alcohol advertising. in martin, s.e. ed. ; , the effects of the mass media on the use and abuse of alcohol pp. 3968 ; . niaaa research monograph no. 28, nih publication no. 95-3743, rockville, md: national institute on alcohol abuse and alcoholism. atlantic lottery corporation. 2006 ; . relevant, ready, responsible and regulated: 2005-06 annual report and social responsibility review. retrieved september 29, 2006, from : alc english whatsnew articles 1175 content alcannualreport200506 auckland university of technology. 2005 ; . literature review to inform social marketing objectives and approaches, and behaviour change indicators, to prevent and minimise gambling harm. final report prepared by the gambling research centre for the health sponsorship council, wellington, new zealand. november 2005. retrieved august 15, 2006, from : hsc .nz pdfs litreview-execsummary babor, t., caetano, r., casswell, s., edwards, g., giesbrecht, n., & graham, k. 2003 ; . alcohol: no ordinary commodity: research and public policy. new york: oxford university press. back, k-j. 2006 ; . the koreanimpact study. presentation to the alberta gaming research institute 5th annual conference: social & economic costs and benefits of gambling, april 20, 2006. banff, alberta.Hotels and resorts: 10% - 50% discount. upgrades where available. car rentals: 10% - 50% discount. free unlimited mileage. cruises and steamships: 25% - 75% discount. tours: 25% - 50% discount. some tours are free. theme parks & attractions: 10% - 100% discount. often includes discount on members in your party. please note: disney and universal studios do not offer discounts for admission to "part-time" travel agents. ; airlines: what to say to a gate agent to get an upgrade to first or business class. with a "smile" ask: "hi. i wanted to know if there was availability for an upgrade today. i a part-time travel agent and would appreciate your help." it is best to wait and ask about 5 minutes prior the gate attendant calling "last call for the boarding the plane. the best time to ask is after you have taken your seat. ask the flight attendant "hi! i noticed there is space if first class, i a new part-time travel agent, would it be possible to occupy one of the empty seats?" part-time agents do not qualify for airline discounts. you need to have your own iatan card. you can request an upgrade, we suggest you ask a flight attendant once everyone is on board. say something like "hi! i a new travel agent. could it be possible to sit in first class? i notice there are 2 vacant seats". tour companies: ask the tour company if they offer a discount to "part-time" travel agents that do not have their own iatan or clia card. if they do, we will prepare a letter of affiliation and fax it to the travel supplier. the service fee is .00 if the tour company offers a "net price" as your travel agent rate, you still need to pay to the agency's portion of the commission, since the tour company is just deducting the entire commission and calling it a travel agent rate and poker tip. Focuses on duncan's desperate attempts to keep herself financially afloat so that she can realize the dream of her retirement years: to open a school in italy where she can teach young dancers her art. she must deal with her mercurial russian poet husband he only speaks russian, of which she has not a word ; and various acolytes, who take turns during scene breaks describing what it was like when she danced. all the roles are very challenging; but none more so than the central role of isadora duncan, played in new york by elizabeth ashley. ``a fascinating play comic portrait of a bohemian salon in both joy and extremis, as the calling of high art meets the low farce of insistent creditors, ludicrous lovers and unexpected guests. the very inexplicability of isadora's art becomes . stirring emblem of its mysterious power to endure.' '--n.y. times. ``the mixture of flamboyant fun with a dead-serious view of art's place in our grudging and somber century, skillfully brought off, makes when she danced sherman's best play to date.''--7 days. ``a remarkable play.''--new yorker. .25. royalty, -. ; slightly restricted. #25030. ; holiday snap. little theatre. ; comedy. michael pertwee and john chapman. 4 m., 4 f. int. this comic tale of mistaken identity unfolds with real wit and style. a portuguese time-share villa has been double-booked without the company representative, myopic tippler commander ``chitto'' chittenden knowing. when mary and henry arrive shortly after eve and leslie, chitto manages to remain unaware that there is more than one couple on the scene. the confusion is compounded when each couple mistakes the other for the servants. henry seems to have the upper hand when he discovers that eve is married, but not to leslie, when his mother-in-law arrives and he has to bride the other couple to impersonate his alibi, sir piers and lady marchbanks. girlfriend mary has to play the servant, much to her annoyance, but it looks as though things might work out until the real sir piers arrives followed by henry's wife. hilarious disguises donned by mary, perky, eve and leslie might just save the day! .95. royalty, -. ; #10177 ; the sleeper murders. little theatre. ; thriller. don woods. 4 m., 4 f. some doubling possible. ; 1 int. when ex-con myra owen is unexpectedly summoned to her twin sister's posh estate, a twisted tale of macabre murders is set in #21278 ; motion that intrigues inspector campion. .95. royalty, -. ; love of a pig. little theatre. ; comedy. leslie caveny. 4 m., 4 f. to play 33 characters ; . unit set. jenny is a young violinist pleased with her life except for when it comes to men. having spent 3, 345 nights alone of a possible 3, 356 ; since puberty, she approaches scientifically the question ``why not me?'' the play chronicles her pursuit of a brooding bass player she mistakenly assumes is mr. right. `what a wonderful show tour de force. the laughs are frequent and big.''--hollywood gazette. ``caveny traverses the rocky wasteland of one-sided love in a way that is at once comical, sad, terrifying, mortifying and exhilarating.''--l.a. times. ``a paean to dateless women everywhere.''--burbank times. ``caustic and irreverent hilarious send-up of dating, courting and kvetch #14185 ; ing.''--variety. .25. royalty, -. ; slightly restricted. lend me a tenor. little theatre. ; farce. ken ludwig. 4 m., 4 f. comb. int. this night in september of 1934 is the biggest in the history of the cleveland grand opera company--world-famous tenor tito morelli is to perform otello, his greatest role, at the gala season-opener. saunders, the general manager, hopes this will put cleveland on the operatic map. morelli is late; when he finally sweeps in it is too late to rehearse with the company. through a hilarious series of mishaps, il stupendo is given a double dose of tranquilizers which mix with the booze he has consumed and he passes out. his pulse is so low that saunders and his assistant max believe he is dead. what to do? max is an aspiring singer and saunders persuades him to get into morelli's otello costume and try to fool the audience into thinking he's il stupendo. max succeeds admirably, but morelli comes to and gets into his other costume. now two otellos are running around in costume and two women are running around in lingerie, each thinking she is with il stupendo! a sensation on broadway and in london's west end, lend me a tenor is guaranteed to leave your audiences teary-eyed with laughter. ``a jolly play.''--n.y. times. ``non-stop laughter.''--variety. ``uproarious! hysterical!''--usa today. ``a rib-tickling comedy.''--n.y. post. ``screamingly funny!''--cbs radio. .25. royalty, . ; the music as orchestrated for the broadway production is available on cassette, .50, or reel-to-reel, .00. music royalty, .50-.00. ; posters #667 ; return engagements. little theatre. ; comedy. bernard slade. 4 m., 4 f. may be played by 2 m., 2 f. ; unit set. this ingenious comedy is by the author of same time, next year, tribute, romantic comedy and same time, another year. the first act is comprised of three vignettes showing separate couples: a tipsy actress and the bellboy who has bedded her the night before, a gutsy polish woman who has survived world war ii and a carpenter whom she chooses to father her baby, and an acid-tongued columnist and his cool psychotherapist wife who are about to split up. in act ii, we meet the couples 20, 25 and 30 years later, as we learn much to our merriment how they ended up. and, we learn how, ultimately, their stories are all linked together. ``a packed house roared with laughter . the play is laced with great one-liners and farcical situations . ton of laughs.''--door county advocate. ``amusing and witty.''--cape cod times. ``this play is funny and entertaining. the audience barely recovers from the titters when guffaws break out.''--cape codder. .25. royalty, -. ; #20120 ; postmortem. little theatre. ; thriller. ken ludwig. 4 m., 4 f. int. this clever thriller by the author of lend me a tenor and sullivan & gilbert has delighted or freetournament. 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Of theology and philosophy that attempts to reconcile the existence of evil in the world with the assumption of a benevolent god ; . and, as with all gods, sacrifices are required and phelps' theory is the means by which this is achieved. as the magazine noted: "in much of his work he contends that unemployment is necessary to cow workers, ensuring their loyalty to the company and their diligence on the job, at a wage the company can afford to pay" i.e., one which would ensure a profit ; . it is this theory which has governed state policy since the 1980s. in other words, government's around the world have been trying to "cow workers" in order to ensure their obedience "loyalty to the company" ; . unsurprisingly, attempts to lower the "natural rate" have all involved using the state to break the economic power of working class people attacking unions, increasing interest rates to increase unemployment in order to temporarily "cow" workers and so on ; . all so that profits can be keep high in the face of the rising wages caused by the natural actions of the market! yet it must be stressed that friedman's and phelps' conclusions are hardly new. anarchists and other socialists had been arguing since the 1840s that capitalism had no tendency to full employment either in theory or in practice. they have also noted how periods of full employment bolstered working class power and harmed profits. it is, as we stressed in section c.1.5, the fundamental disciplinary mechanism of the system. somewhat ironically, then, phelps got bourgeois economics highest prize for restating, in neo-classical jargon, the model of the labour market expounded by, say, marx: "if [capital's] accumulation on the one hand increases the demand for labour, it increases on the other the supply of workers by 'setting them free', while at the same time the pressure of the unemployed compels those that are employed to furnish more labour, and therefore makes the supply of labour to a certain extent independent of the supply of labourers. the movement of the law of supply and demand of labour on this basis completes the despotism of capital. thus as soon as the workers learn the secret of why it happens that the more they work, the more alien wealth they produce . soon as, by setting up trade unions, etc., they try to organise a planned co-operation between employed and unemployed in order to obviate or to weaken the ruinous effects of this natural law of capitalistic production on their class, so soon capital and its sycophant, political economy, cry out at the infringement of the 'eternal' and so to speak 'sacred' law of supply and demand. every combination of employed and unemployed disturbs the 'pure' action of this law. but on the other hand, as soon as adverse circumstances prevent the creation of an industrial reserve army and, with it, the absolute dependence of the working-class upon the capitalist class, capital, along with its platitudinous sancho panza, rebels against the 'sacred' law of supply and demand, and tries to check its inadequacies by forcible means." [capital, vol. 1, pp. 793-4] that the economist and phelps are simply echoing, and confirming, marx is obvious. modern economics, while disparaging marx, has integrated this idea into its macro-economic policy recommendations by urging the state to manipulate the economy to ensure that "inflation" i.e. wage rises ; are under control. economics has played its role of platitudinous sycophant well while phelps' theory has informed state interference "forcible means" ; in the economy since the 1980s, with the expected result that wages have failed to keep up with rising productivity and so capital as enriched itself at the expense of labour see section c.3 for details ; . the use of phelps' 193. Int. freetournament room - 24 hours earlier amidst the heavy smoke, several men, including jj sit around a round table. soft, muffled jazz music can be heard, but is drowned out by the mumbling and cursing of the other men as jj throws two jacks on top of two jacks already on the table and collects all the chips off the table. jj sorry boys. jimmy, can you cash this out for me? he looks to the dealer, who nods. behind the dealer, jj notices a large russian man, handing a large tip to a waiter and sitting down at one of the tables. jj stands and goes to the door. he swings it open to reveal. int. jazz club - continuous . a lively, small club, dimly lit except for the stage, full of little tables with small red lamps, and men in suits buying drinks for and chatting up innocent looking ladies with dresses to their knees. cigarette smoke floats through the air, dancing in the light of doll, on stage in the same long red dress as before, singing beautifully to the up-beat piano jazz being played behind her. jj moves between the tables and crowd, apologizing as he bumps a woman sitting on a man's lap and kissing him, unphased by the bump. after a long battle he finally reaches the bar. with a nod of his head, sam 30s ; , the bartender, slick looking and clean shaven, wearing a vest and shirt, slams a glass down on the bar and pours some scotch for jj. sam slides a small yellow envelope under the glass as he slides it towards jj. jj pounds back the scotch while slipping the envelope into a coat pocket. jj lights a cigarette and motions towards doll. jj hey sam, who's the doll up on stage? and play free poker.
Figure 5.5: canonical constructive correspondence between adversaries. strength of organisational and physical methods is often enough to protect the computational processes and thus lower security levels are sufficient. in particular, the difference between output-consistency and complete security can be marginal. recall that issuing a complaint in output-consistent protocols reveals one bit of extra information. consequently, such a leak may be a reasonable sacrifice for additional efficiency, if the protocol output itself reveals hundreds or thousands of bits. moreover, adversaries must take a tremendous subjective risks to learn beyond 20 bits of new information. namely, let d be a subjective probability distribution that describes the adversaries prior knowledge about the inputs. then the maximal entropy loss due to selective halting is h s1 , where s1 , are halting decisions made by h and the entropy is computed with respect to d. hence, the adversary must take a risk of being exposed with a subjective probability 2-k to learn k bits. another interesting aspect that is worth commenting is the issue of correctness guarantees raised by micali and rogaway [mr91a]. namely, the computational closeness between the real and the ideal world models does not guarantee that honest participants obtain the correct values, rather they are tpr indistinguishable from the values obtained in the ideal world. we can naturally strengthen the correctness constraints, if we considers only the subclass of nice adversaries that append a flag corrupted to outputs of all corrupted participants. namely, we must consider an additional set of predicates bcor that consists of all predicates that ignore the inputs zi with the flag corrupted, i.e., require that the outputs of honest parties are statistically indistinguishable from the ideal world. formally, this strengthening is externally inconsistent, since the corruption is not an externally observable phenomenon. nevertheless, any hostile adversary can be converted to the corresponding nice adversary with minimal overhead so that the end result of a security game does not change. hence, in principle such a strengthening can be incorporated into the model. 5.8 canonical constructive correspondence note that all security definitions given above require a correspondence between the real and the ideal world adversaries. a canonical way to achieve such a correspondence is based on code wrappers that internally run a real world adversary and translate their actions into legitimate ideal world attacks, see fig. 5.5. briefly, a code wrapper sim is guaranteed to succeed if it manages to simulate the protocol execution for an adversary a. thus, it is more common to use a term simulator instead. we emphasise that a simulator sim has complete con60.
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Standard scrabble set. whilst most of them are based on the game of. | 4. other tools and resources i.e. backend tools, esd, reporting, etc ; : we provide ignition as a c library for drm, online reporting of direct sales and monthly sales and royalty reports. a. does your company provide localization services? not currently. 5. marketing a. what promotional services are provided or offered at no additional cost? we provide press support, consultation on marketing materials and promotion game events. we have an annual conference that deals with development and business issues for independents as well as opportunities to promote games at conferences and events we attend during the year. b. does your company offer channels for oem and other such licensing deals? we provide domestic and oversea distribution and oem opportunities to our games. c. is there a direct contact and or account manager assigned to each account? yes. garagegames puts as much priority to finding good teams and building relationships as just looking for game content. By paul carr, rally chair the original plan to hold a fund raising bicycle and skating event that would replace the revenue lost from canceling the heights festival has been changed. initially the event was going to operate like a "poker run." freetournament runs have been a popular method of raising funds for charities by motorcycle and car clubs. the texas attorney general has issued an opinion that "poker runs" constitute illegal gambling. the bicycle and skate rally committee has restructured our event to comply with the ag's opinion. the first heights bicycle and skate rally will be held on sunday, october 15, from 8: 00 to pm. there will be no cash prizes. participants will not be required to pick up playing cards or any other materials to qualify for merchandise prizes. however, only participants who finish the course will be eligible for prizes. the entry fee has been reduced to .00 for on-line advance registration and .00 on the day of the event. the committee is working to add some fun to the event by having awards for youngest, oldest, best costumes, and best teams. there will also be prizes for the persons that find the most items along the rally route on a scavenger hunt list. the committee is looking for more volunteers listed below ; and ideas. please contact the rally committee at bikerally houstonheights or leave a voice message at 713-861-4002, option 6. rally committee members: rally jobs unfilled at press time: chairman, paul carr rally judge and assistants rally cartographer, john hennessy prizes chairman rally registration, lauriel hindman rally publicity rally graphics, angela dewree site preparation scavenger hunt, martin pike rally materials checkpoints, david cassidy rally marketing volunteer relations. Fullcatnamenum 239. bodkin, thomas. the noble science: john leech in the hunting field. london: collins, 1948. 1st edition. reproductions of famous hunting prints by john leech originally appearing in the mid19th century. introduction by sir alfred munnings. 14 full-page color plates with explanatory text. folio. bound in black cloth with gilt titled spine. with previous owners bookplate. hardcover. excellent in chipped dj. 7871 ; 0.00 fullcatnamenum 240. boessenecker, john. gold dust & gunsmoke. new york: john wiley & sons, 2000. isbn: 0471390186. a lively collection of true tales of villainy and violence during the california gold rush. 370 pages. softcover. new. 10152 ; .00 fullcatnamenum 241. bogardus, adam h. field, cover and trap shooting. prescott, az: wolfe publishing, 1987. a limited edition of 1, 500 copies. 443 pages plus ads. frontispiece of captain a.h. bogardus. gilt titled spine with raised hubs. a.e.g. with marking ribbon. in original glassine wrapper. 3 4 leather bound. mint . 3042 ; .00 fullcatnamenum 242. bond, otto f. under the flag of the nation. columbus, oh: ohio state university press for the ohio historical society, 1961. 308pp. diaries and letters of the yankee volunteer in the civil war. hardcover. fine in fine dj. 313 ; .00 fullcatnamenum 243. bookhout, thedore a. waterfowl and wetlands-an integrated review. la crosse, wisconsin: la crosse prionting co., 1979. 152 pp. illustrated with line drawings. bound in pictorial stiff colored paper. softcover. 11907 ; .00 fullcatnamenum 244. boone and crockett club. the wild sheep in modern north america. new york: boone & crockett, 1975. 1st edition. the proceedings of the workshop on the management biology of north american wild sheep. 302 pages. softcover. fine. 8900 ; .00 fullcatnamenum 245. boritt, gabors. why the confederacy lost. new york: oxford university press, 1992. isbn: 019507405x. 209 pp illus. hardcover. very good in good dj. 326 ; .95 fullcatnamenum 246. boschung, herbert t. et al. the audubon society field guide to north american fishes, whales and dolphins. new york: alfred a. knopf, 1992. 9th printing. 848 pp. illustrated with 585 identification pictures in full-color. also included are 30 photographs of whales and dolphins and 45 paintings, plus 24 pictures of habitats. bound in limp green imitation leather. hardcover. fine. 11930 ; .00 fullcatnamenum 247. bosworth, n. a treatise on the rifle, musket, pistol & fowling piece: embracing projectiles and sharp-shooting. huntingdon, wv: standard publications. facsimile reprint of 1846 first edition. 113pp. plus 6pp. of advertisements. hardcover. fine. 3789 ; .00! |
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A spoken command like "play this song" that is accompanied by a pointing gesture thereby selecting a specific song displayed on the screen e. g., by using a pen ; . in order to be able to trigger an appropriate reaction to such an utterance, a multimodal dialogue system needs to integrate the two monomodal actions of the user into a coherent multimodal interpretation of their intention. this task is usually carried out by a component called multimodal fusion. in general, the task of a modality fusion component is to combine and integrate--if possible--all incoming unimodal events e0 - en ; into a single representation of the intention most likely expressed by the user. a fusion component has to ensure that every unimodal event that could potentially contribute to the integrated meaning of a multimodal utterance m e0 , . considered. thus, a fusion component needs to synchronize the recognition and analysis components so that all unimodal components of an utterance will be taken into account. the opposite process of multimodal fusion is modality fission or turn-planning ; where an abstract representation of the content that is supposed to be communicated to the user has to be reasonably distributed over the available modalities.
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Sung to the tune of hard times come again no more 1. let us close our game of poker, take our tin cups in hand, while we gather round the cook's tent door where dry mummies of hard crackers are given to each man oh, hard crackers come again no more! --chorus chorus 'tis the song and the sigh of the hungry, "hard crackers, hard crackers, come again no more! many days have you lingered upon our stomachs sore, oh, hard crackers, come again no more" 2. 'tis the song that is uttered in camp by night and day, 'tis the wail that is mingled with each snore: 'tis the sighing of the soul for spring chickens far away, "oh, hard crackers come again no more." --chorus.
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